![]() ![]() We think that 95% of people will be fine using the PodMic and Rodecaster Pro without a Cloudlifter. Do You Need A Cloudlifter For The Rode PodMic & Rodecaster Pro? If you have a very quiet voice, you might need to use an inline preamp like the Cloudlifter. Beyond this point, you’ll start to get noticeable hiss from the preamp. With the Rodecaster, we don’t recommend increasing the level above 40. Increase the level until your mic is comfortably peaking in this zone. A pair of green bars highlight the area you should be aiming for with your mic level. ![]() Select the “Level” option from the channel menu, and you’ll see a level meter appear on the screen. Rode PodMic & Rodecaster Pro Level Set Up The Rode PodMic is one of them, and you can select it from the “Microphone” menu. The Rodecaster Pro has pre-defined settings for some of the most popular Rode podcast microphones. Rodecaster Pro & Rode PodMic Microphone Setting It would be a mistake to push it to the highest value and then set your mic level as you’ll have no easy way to increase the volume if the person speaking goes quiet for some reason. This leaves you some headroom to increase the volume during a podcast. Push the channel 1 fader up to the thicker checkmark near the midpoint. Click the link to read our in-depth review. They’re the highest quality cables we’ve found that come in various colors with black Neutrik connectors. We recommend using a Canare L-4E6S Star-Quad XLR cable. "Røde’s Rødecaster Pro II is a powerful studio-in-a-box perfect for standalone podcast recording, but it also integrates well with external devices for the streaming in of conference calls, for music, and for streaming out to a computer for stereo or multi-track recording.There’s nothing complicated here simply connect one end of the XLR cable to the PodMic and the other to the channel 1 input on the Rodecaster Pro. MusicRadar verdict: Røde gives the all-in-one podcast production centre a big upgrade, delivering a higher quality, slicker and yet smaller device. Still, overall it’s a deceptively flexible, powerful device, and the more we dug in, the more impressed we were. One gripe is being limited to 24-bit/48kHz operation if you were hoping the Pro II could double as a high-res audio interface, it’s a no. Further software settings include metering type, haptic behaviour, display brightness and colour settings. Main stereo USB output options include mix minus or customisable mix. These include broadcast-style fader-up monitor muting for mic input faders and headphone sensitivity.įrom a production perspective, significant options include pre or post-fader multitrack recording with an effects bypass option, and different settings for onboard SD and USB streams. Software options can be set onboard or via the Røde Central app. This also drives the onboard Aphex processing which includes channel-level preset processing, advanced processing (high pass filter, de-esser, noise gate, compressor, 3-band EQ, exciter and pan) and the master output compeller and master output delay. Underlying this is a new quad-core audio engine. ![]() This lets you use multiple software apps on different drivers or even smartphones, further enhancing the Pro II’s broadcast hub functionality. One is for power, one supports full multitrack streams (2in/16out and 2in/2out) and one supports stereo (2in/2out). RødeCaster Pro II includes significantly upgraded USB connectivity and has three USB-C connectors. ![]()
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